These numbers tell you how many of each instrument are in the ensemble. Often a player will blow into the middle of a note, and then before changing to another, back off of the air, make the change, and then blow into the next note. My understanding is that Vince Chicowitz didn’t see the value in static long tones as much as those which had movement to them so he wrote out such an exercise for his students, which he revised over time, and which became the Flow Studies. They were originally a creation of Vincent Cichowicz, one of the great trumpet players and teachers studues the last century. He was appointed music director of the Millar Brass Ensemble in their collaboration can be heard on the Delos recording Brass Surround. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble.Īlthough I had the occasion to spend some time with this him, I did not study with him. While it is well documented that Cichowicz, and his long time teaching assistant, Luther Didrickson, took very individual approaches with each student, when listening to the performances on this recording the musical and sonic direction they sought becomes very evident. These simple exercises are known and used by trumpet players all over the creation of Vincent Cichowicz, one of the great trumpet players and teachers of the.
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